Dhamaal 4 Movie Review

Director: Indra Kumar Cast: Ajay Devgn, Arshad Warsi, Riteish Deshmukh, Jaaved Jaaferi, Ravi Kishan, Sanjay Mishra, Upendra Limaye, Anjali Anand, Sanjeeda Shaikh, Esha Gupta Genre: Adventure Comedy Runtime: 143 minutes Release Date: 10 July 2026 Rating: 2.5/5

Intro

Dhamaal franchise ka naam sunte hi zehen mein ek hi cheez aati hai — paisa, greed aur non-stop chaos. 2007 mein "Dhamaal" se shuru hua yeh silsila, 2011 mein "Double Dhamaal" aur phir 2019 mein "Total Dhamaal" tak pahuncha, aur ab saat saal ke break ke baad Indra Kumar apni signature madcap comedy style ke saath "Dhamaal 4" leke aaye hain. 10 July 2026 ko yeh film theatres mein release hui, aur franchise apne asli roots ki taraf laut aayi — treasure hunt, ek se badhkar ek lालची (greedy) characters, aur galatfahmiyon (misunderstandings) se bhara comic chaos. Lekin asli sawaal yeh hai — kya seven-year gap ke baad bhi yeh formula utna hi funny lagta hai, ya phir audience ab is tarah ki loud, over-the-top comedy se ऊब (bore) chuki hai?

Story kya hai

Film ki kahani ghoomti hai ek century-old khazane ke around, jo ek notorious pirate Shaitaan Singh ne kahin chhupa rakha hai. Guddu (Ajay Devgn) apne dost Johnny (Sanjay Mishra) ke saath ek antique store chalata hai, aur usse pata chalta hai ki ek aadmi Prithvi (Upendra Limaye) ko khazane ka pata hai. Doosri taraf, ek pirate leader Adhoora (Ravi Kishan) Prithvi ke peeche pada hai taaki wo khazane tak pahunch sake. Ek accident mein Adhoora khazane ka naksha jala deta hai, jiski wajah se ab sirf Prithvi hi jaanta hai ki treasure kahan hai — aur isi wajah se usse zinda rakha jaata hai.

Prithvi bhaag kar ek jagah Chamboli mein chhup jaata hai, aur Guddu-Johnny bhi uski talaash mein waha nikal padte hain — Guddu apni girlfriend Aaliya (Esha Gupta) ke bachchon Amaira aur Aarav ko bhi saath le jaane ko majboor hota hai. Rasty mein inki mulaqaat baaki gang se hoti hai — Adi (Arshad Warsi), Manav (Jaaved Jaaferi), Lallan (Riteish Deshmukh), Paaro (Anjali Anand) aur Rosy (Sanjeeda Shaikh) — jo sab apne-apne tarike se billionaire banne ki race mein kood padte hain. Result: ek predictable lekin madcap treasure-hunt jisme har character apne fayde ke liye doosron ko maat dene ki koshish karta hai.

Story mein koi naya twist nahi hai — genre ke fans ko pata hai kya expect karna hai — lekin yeh exactly wahi hai jo Dhamaal franchise se expected hota hai: logic ko side mein rakh kar sirf entertainment pe focus karna.

Direction aur Screenplay

Indra Kumar ne apne comfort zone mein hi kaam kiya hai. Unki direction commercial hai, simple hai, aur old-school masala entertainer ka feel deti hai — jo family audience ko target karta hai. Story aur screenplay Paritosh Painter, Balvinder Singh Suri, Bunty Rathore aur Ved Prakash ne likhi hai, aur ismein ek crazy entertainer ke saare ingredients maujood hain. Dialogues mein humour achha hai, aur ek dialogue toh khud director ke upar hi witty reference deta hai, jo audience ko hansata hai.

Lekin yahan par ek badi kami bhi hai — screenplay utni tight nahi hai jitni honi chahiye thi. Pehla half kaafi entertaining hai aur attention hold karta hai, kyunki har kuch minute mein koi na koi madcap moment aata rehta hai. Lekin interval ke baad film apni grip khone lagti hai. Dusra half kaafi stretched lagta hai, jokes repetitive ho jaate hain, aur climax bhi kaafi flat note pe khatam hota hai. Yeh wahi problem hai jo pichli Dhamaal films mein bhi dekhi gayi thi — first half strong, second half thoda lacklustre.

Ek positive baat yeh hai ki humour clean rakha gaya hai, jo is franchise ke pehle instalments ke comparison mein ek achha change hai — pehle Dhamaal films mein women-centric crude jokes ki kaafi criticism hui thi, lekin is baar makers ne family-friendly approach apnaya hai.

Performances

Ajay Devgn hamesha ki tarah comic timing mein achhe form mein hain aur apni antics se hansaate hain. Arshad Warsi aur Jaaved Jaaferi is film ka highlight hain — dono ko sabse zyada funny scenes mile hain aur unki emotional angle bhi kaafi acchi tarah work karti hai. Fans jo "Adi-Manav" duo ko dekhna chahte the, unke liye yeh combo nirash nahi karega.

Riteish Deshmukh ek professional actor ki tarah apna role nibhate hain, aur unka comic timing bhi solid hai. Sanjeeda Shaikh decent perform karti hain, jabki Anjali Anand ka role kaafi adorable hai aur performance-wise wo first-rate rahi hain. Esha Gupta ek special appearance mein hain aur apna kaam theek-thaak karti hain.

Supporting cast bhi impressive hai — Ravi Kishan pirate Adhoora ke role mein bilkul fit baithte hain, Upendra Limaye bhi apna role achhe se nibhaate hain, aur Vijay Patkar (Jheenga) apne comic moments se hansaate hain. Child actors Akshara Padwal aur Riyansh Dabhi bhi cute lagte hain aur unhe overdone nahi kiya gaya hai, jo ek achhi baat hai.

Overall, cast strong hai aur ensemble comedy ka chemistry zyadatar scenes mein kaam karta hai, khaaske jab Warsi aur Jaaferi screen pe hote hain.

Music aur Background Score

Film mein songs ki bharmaar nahi hai, jo aajkal ke over-the-top masala films ke comparison mein ek achhi baat hai. Narrative ke andar sirf ek gaana hai — "Saree" — jo kaafi foot-tapping hai. "Chatni" aur "Qeher" jaise tracks end credits mein bajaye gaye hain, taaki story ka flow disturb na ho. Ek interesting addition hai "Paisa Lao", jo popular Italian song "Bella Ciao" ka recreated version hai — yeh thoda surprising hai lekin franchise ke tone ke saath fit baithta hai.

Background score film ke adventure-comedy theme ke saath sync mein hai aur chaotic action sequences ko aur zyada energetic banata hai. Overall music department ka kaam decent hai, lekin koi bhi track aisa nahi hai jo film ke baad bhi zehen mein reh jaaye.

Technical Aspects

Yeh treasure-hunt adventure film hone ke naate, VFX aur action sequences ka bada role hai. Kuch sequences well-executed hain aur visually entertaining bhi, lekin kai jagah CGI kaafi rough aur dated lagta hai, khaaske ek badi set-piece mein jahan avalanche jaisa element dikhaya gaya hai — yeh scene kaafi critics ke radar pe aaya aur negative feedback mila. Filming Mumbai aur Madh Island jaisi locations pe hui hai, jo visually kuch fresh backdrop provide karti hai comparison mein pichli Dhamaal films se.

Editing thodi lambi lagti hai — 143 minute ka runtime dusre half mein khinchta hua mehsoos hota hai, aur agar 15-20 minutes kaat diye jaate toh film tighter aur zyada engaging ban sakti thi.

Franchise Comparison

Dhamaal (2007) aaj bhi franchise ki best film maani jaati hai, jiski wajah uski tight comedy aur memorable one-liners the. Double Dhamaal (2011) aur Total Dhamaal (2019) dono ko franchise ke weaker instalments mana gaya, kyunki unmein wahi original chemistry aur sharpness missing thi. Dhamaal 4 bhi kuch had tak isi trend ko follow karta hai — pehla half nostalgia aur energy se bhara hai, lekin overall film wo magic recreate nahi kar paati jo original 2007 wali film mein tha. Phir bhi, is baar makers ne cleaner humour aur family-friendly approach ke through kuch fresh try kiya hai, jo appreciate karne layak hai.

Interesting baat yeh hai ki film ke end mein agli kadi "Dhamaal 5" ka tease bhi diya gaya hai, matlab makers ko is franchise pe abhi bhi bharosa hai.

Box Office aur Audience Reception

Commercial front pe Dhamaal 4 ne kaafi achha perform kiya hai. Opening day pe film ne India mein lagbhag ₹13.75 crore net kamaye, aur worldwide first-day gross ₹21.50 crore ke around raha — jo early trade projections se bhi zyada tha. Pehle four dino ke andar film ne worldwide ₹100 crore ka mark cross kar liya, aur pehle Tuesday tak India mein net collection ₹74 crore ke paar pahunch chuka tha. Family audience aur weekend walk-in crowd ke through film ne steady numbers maintain kiye.

Critical reception ki baat karein toh yeh kaafi mixed rahi. Kuch trade aur family-audience-focused reviewers ne isse ek decent, clean entertainer bataya, jisme performances aur family-friendly humour ki tareef ki gayi. Lekin national critics ka ek bada hissa is film se nirash raha — unka kehna tha ki jokes flat feel karte hain aur franchise ki purani chemistry wapas nahi aa payi. Overall critical consensus thoda negative-se-mixed side jhukta hai, jabki audience aur box office response usse zyada positive raha — jo dikhata hai ki yeh film critics ke liye nahi balki purely mass entertainment ke liye banayi gayi thi.

Pros aur Cons

Kya achha hai:

• Arshad Warsi aur Jaaved Jaaferi ki jodi — franchise ka best asset
• Pehla half genuinely entertaining aur fast-paced
• Clean, family-friendly humour — pehli baar is franchise mein
• Ensemble cast ki chemistry zyadatar scenes mein kaam karti hai
• Child actors ka natural aur non-annoying performance

Kya kamzor hai:

• Dusra half kaafi stretched aur predictable
• Screenplay tight nahi hai, imagination ki kami mehsoos hoti hai
• Kuch VFX sequences (khaaske avalanche wala) dated lagte hain
• Climax flat note pe khatam hota hai
• Koi bhi song memorable nahi hai

Final Verdict

Dhamaal 4 ek typical masala treasure-hunt comedy hai jo apne fans ko wahi deti hai jiski woh ummeed karte hain — thoda madness, thoda emotion, aur bahut saara chaos. Yeh koi groundbreaking cinema nahi hai, aur na hi ismein koi naya twist hai, lekin agar aap bina zyada expectations ke, sirf family ke saath ek dopahar bitaane ke liye theatre jaate hain, toh film apna kaam kar deti hai. Pehla half zaroor dekhne layak hai, lekin dusre half mein thoda patience rakhna padega.

Overall, main isse 2.5 out of 5 deta hoon — ek "one-time watch" jo apne genre ke fans ko nirash nahi karega, lekin naye viewers ko utna impress nahi kar payega jitna franchise ka pehla instalment kar paaya tha.

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Note: Yeh review Dhamaal 4 (2026) ke public release, critical reception aur box office data par based hai.